Soul City: July 2010

Sunday, July 25, 2010

The Soul of New Orleans

The Soul of New Orleans

By Shelah Moody

There is a certain sweetness about New Orleans; from the delicious snowballs and the fluffy beneighs to the way men and women call you “baby--” whether they know you or not. The way that people sit on their porches on soft summer days. After visiting new Orleans for six days this summer, I now know exactly what the Louis Armstrong meant when he sang “Do You Know What it Means to Miss New Orleans.”

During my stay in NOLA, I visited one of the city’s landmarks, Congo Square, aka Louis Armstrong Park. During the 1800s, enslaved Africans gathered at this site to keep their culture alive through the power of singing, dancing and drumming. At night, you can hear the crawfish in the surrounding body of water singing sweetly and loudly.

Thanks to my educational guide, activist, volunteer and New Orleans native Sakura Kone, I got a tour of Lower 9^th Ward, which was ravaged by Hurricane Katrina in 2005. I visited the sight where Lower 9^th Ward resident Robert Green lost his mother and granddaughter in storm; sadly, three broken steps are all that remain of his former home. Green and his family now live in a brand new two story home built by Brad Pitt’s Make it Right foundation.

I also visited St. Augustine, oldest African-American Catholic parish in the nation and Wesley United church, a hub for education and social activism, which is currently in the process of being re-built by Kone and a large group of volunteers.

I also met local artists and musicians, such as singer/songwriter Ben Hunter, who have held on in the midst of tragedy. In 2008, Hunter released a CD called “Traveler: A Healing Album for the City of New Orleans,” which features songs such as “Home,” “Abandon Souls” and “Before the Fall.” Hunter, who also made a guest appearance on “Treme” was the subject of a documentary “Baptized by Katrina,” which was featured at the Los Angeles Film Festival in 2006.

New Orleans is a city in recovery, in the wake of Katrina and the recent Gulf oil spill. The HBO series “Treme” and the Saints’ Super Bowl victory this put New Orleans back in the spotlight in terms of arts culture.

During Fourth of July weekend (July 2-4) I attended the Essence Music Festival, which brings thousands of people to New Orleans every year. The concerts were held at the New Orleans Superdome, which five years ago, became a temporary refuge for Katrina survivors five years ago.

While supernovas Janet Jackson, Alicia Keys, Mary J. Blige and LL Cool headlined on the main stage that weekend, some of New Orleans’ finest artists, including Grammy winner Irma Thomas, Irving Mayfield and the New Orleans Jazz Orchestra, Ivan Neville’s Dumpstafunk and Kermit Ruffins and the Barbecue Swingers drew the masses to the Superlounges.

Thomas, one of the guest stars on “Treme” celebrated her 50^th year in the music business last year. Her original hits include “Time is On My Side,” covered by the Rolling Stones, “Ruler of My Heart,” covered by Otis Redding and “You Can Have My Husband But Please Don’t Mess With My Man,” which she recorded at age 19.

“Ironically, more men ask for that song than women,” said Thomas.

In the press room, Thomas, who is the mother of four and also a great grandmother, was asked to comment on the highly publicized crime rate in New Orleans.

“I don’t like it, but by the same token, New Orleans’ crime situation isn’t any worse than any other major city,” said Thomas. “We’re just on the forefront because of the flooding that happened in New Orleans. Whenever something happens, it’s blown up larger than life because we are recovering from the flood. We will have got to get a handle on it some way and I think that parents are going to have to start being parents again and not expecting anyone else to do their jobs for them.”

New Orleans rapper Mystikal, perhaps (best known for his hit “Skake Ya Ass” ) who recently served a stint in prison, also found his way into the press room at the Superdome. Mystikal, aka Michael Lawrence Tyler, spoke about his personal recovery, comeback and new album on Jive/Big Truck records.

“I’m putting that thang together, I’m telling y’all, these rappers are in trouble, for real,” said Mystical. “Fiyah like cayenne! I had the opportunity to showcase the growth that took place in me, the man, and definitely play it over to the artist. I missed the stage; I missed y’all so much. It is an absolute blessing to leave the people for six years and when I come back, their hands are still up. Thank you for helping me stay relevant in this industry.”

People in New Orleans love sweet soul music, and one of the highlights of the festival was the return of 1980s pop star El Debarge, who hade a guest appearance on stage with Keri Hilson at the Superdome. Debarge’s new album, scheduled for release this fall, will was co-produced by Kenneth “Babyface” Edmunds, Jimmy Jam and Terry Lewis.

“I think what makes a good love song is.. when you can work a song from beginning to the end, as if you were in bed making love to someone who you felt really special about. Where you can take it slow at first and just let it grow, let it do what it do,” said Debarge.

Clearly, people in New Orleans love Gladys Knight. The R an B legend drew a huge crowd when she appeared for a photo op with Janet Jackson in the Wal-Mart booth at the New Orleans Convention Center. Before she took the stage at the Superdome, Knight stopped into the press tent to praise the Essence Music Festival and introduce her new line of jewelry made by Kumasi artisans in

Ghana

. Incidentally, the beads for her jewelry are crafted from Knights recycled records and other recycled products.

“I’m excited,” said Knight. “I’ve always wanted to do something that would include all of us as a people. I’ve always wanted to make a difference through my music. I’m so proud of this line because it makes a difference in the lives of people in Africa. I’ve been to the motherland and it is beautiful but they still need help. They are so proud of us as a people here in the

U.S.

even though we still have our problems. They used us as a role model. We need to reach back and help them. Any time you buy a piece of my jewelry, you are helping that country, that tribe.”

For info on the 2011 Essence Music Festival, visit www.essence.com. For information on New Orleans, go to www.neworleanscvb.com.

Wednesday, July 7, 2010

The Misunderstanding of Lauryn Hill By Shelah Moody

“Lauryn Hill has a brilliant mind.” –Nikki Giovanni

When is ok for a woman to be a diva?

In this writer’s humble opinion, a woman has the right to be a diva if she has earned at least five Grammys.

A woman has a right to be a diva if she is responsible for at least five children.

A woman has the right to be a diva when she redefines a musical genre (i.e. pop music) gets people to think out of the box and influences a new generation of singer/songwriters.

A woman has a right to be a diva if she has been subjected to public breakups, meltdowns, lawsuits, bad hair and makeup days and ridicule and still, she rises.

Ms. Lauryn Hill earned has the right to be a diva.

In the late nineties , Lauryn Hill was perhaps the most famous black woman in the world. Lauryn Hill was the Michael Jackson of her time. Soon after the release of first solo album “The Miseducation of Lauryn Hill,” the singer’s deadlocked image dominated the covers of Rolling Stone, Vogue and People. She was praised for her brains and beauty. Her songs: “Doo Wop (That Thing,”) “Lost Ones,” “When It Hurts So Bad,” “To Zion” made us dance and think, too. When she went on self imposed hiatus in 2000, we began to embrace singers such as India.Arie, Estelle and a fiery young Jamaican vocalist named Cherine Anderson, hungry for a new Lauryn Hill.

A woman has a right to be diva is she is the leader of a band and her musical success and reputation ride on the competence of her band, sound engineers and venue.

Many people have criticized Lauryn Hill’s long awaited performance at the 32^nd Annual Harmony Festival, June 13 at Sonoma County Fairgrounds in Santa Rosa. Everything from quality of her sound and her interactions with her band members have been scrutinized.

Standing at the near the front of the stage in the photo/media pit, I did observe Ms. Hill doing her best to put on a good show despite sound and organizational glitches.

I was close enough to see Ms. Hill giving musical direction, which is what a bandleader does. She surprised me with pretty good covers of Bob Marley’s “

Zimbabwe

” and “I Only Have Eyes For You,” made famous by the Flamingos. I was close enough to see Ms. Hill sweating in an elegant, silky suit reminiscent of Alexander McQueen, her newly straightened hair blowing in the breeze.

“They (the audience) knows how they like the music, see,” Ms. Hill told the sound crew, before segueing into “When It Hurts So Bad:” “Bring the bass down a little bit, and bring me up.”

Check out this clip, where the crowd cheers her on with “We Love You Lauryn Hill:

http://www.youtube.com/watch?v=59P62YjDBto

After her closing number, “Doo Wop,” Ms. Hill said: “I love you, Santa Rosa!”

http://www.youtube.com/watch?v=P_mdwfwX92Y

In defense of Ms. Hill, at least she knew where she was! I recently attended the performance of an old school singer in Sacramento who thought she was performing in Saratoga, but that’s a different dish.

It would have been nice if Ms. Hill had agreed to a press conference at some point during the Harmony festival.

I had no personal interaction with Ms. Hill that day, but I was close enough to the stage to feel as if she were watching as security escorted me out of the media pit in a misunderstanding, and later let me back in. I did not have access to Ms. Hill’s private area backstage. But this is what I was told the next day by a longtime friend member of the press corps in an email:

“Her reputation is that she is an angry bitchy person who is more diva than Whitney Houston, or Naomi Campbell. She lived up to it, and more, and she disappointed everyone. She stunk. She yelled instead of sang, she bitched instead of smiled, and she isn't ready to bring her act to the stage.”

Excuse me? This writer was disturbed by these comments for more than one reason. Clearly these are hurtful comments aimed at a certain class of the population. A class of which I happen to belong. While I have no problem with the term “diva,” when used in the right context, I feel that “angry” and “bitchy” are two controlling images used to undermine black women.

Dictionary.com defines a diva as “a distinguished female singer” and a “prima donna.” If this is the case, then this individual could have compared Ms. Hill to Barbara Streisand, Madonna or Lady Ga Ga for that matter. Instead, he chose to pick, or pick on, two black women who rose to the top of their fields; one used to be America’s darling before she got a hold of the sickness called drug addiction (which transcends race, class and gender) and began canceling shows, and another who broke racial barriers as one of the first black supermodels and happened to assault one of her staff. .

Ms. Hill did not cancel her show and pressed on despite technical problems. To my knowledge, she did not hit anyone with her cell phone.

A few weeks later, I discussed the Lauryn Hill incident with Grammy nominated poet/activist/scholar Nikki Giovanni when she appeared at an event called “Conversations With Wise Women” in San Francisco. Giovanni, who recently published a children’s

“Lauryn Hill is a brilliant musicologist,” said Giovanni. “What she conceives and how she carries it out—I think she’s way ahead of the curve.

Giovanni, who recently published a children’s book on hip hop, said the term “bitch” is often applied to women who do not follow someone else’s program or agenda.

They said the same thing about Nina Simone. But I think they say the same thing about any brilliant musical performer. They thing that because you’re a musician you’re supposed to put a wind up in your back and move to their tune. Aside from being brilliant, she’s a very nice young woman.”And
yes it is ok to be a Diva.

Ms. Lauryn Hill returns to the Bay Area at on Aug. 22 as part of the Rock the Bells hip hop tour at Shoreline Amphitheater in Mountain View.

Sunday, July 25, 2010

The Soul of New Orleans

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Wednesday, July 7, 2010

The Misunderstanding of Lauryn Hill By Shelah Moody

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